She had moreover at present completely recovered her feet, though there was in the intensity of the effort required to do so a vibration which throbbed away into an immense allowance for the young man. How could she after all know what, in the disturbance wrought by his mother, Mona's relations with him might have become? If he had been able to keep his wits, such as they were, more about him he would probably have felt—as sharply as she felt on his behalf—that so long as those relations were not ended he had no right to say even the little he had said. He had no right to appear to wish to draw in another girl to help him to an escape. If he was in a plight he must get out of the plight himself, he must get out of it first, and anything he should have to say to any one else must be deferred and detached. She herself, at any rate—it was her own case that was in question—couldn't dream of assisting him save in the sense of their common honor. She could never be the girl to be drawn in, she could never lift her finger against Mona. There was something in her that would make it a shame to her forever to have owed her happiness to an interference. It would seem intolerably vulgar to her to have "ousted" the daughter of the Brigstocks; and merely to have abstained even wouldn't assure her that she had been straight. Nothing was really straight but to justify her little pensioned presence by her use; and now, won over as she was to heroism, she could see her use only as some high and delicate deed. She couldn't do anything at all, in short, unless she could do it with a kind of pride, and there would be nothing to be proud of in having arranged for poor Owen to get off easily. Nobody had a right to get off easily from pledges so deep, so sacred. How could Fleda doubt they had been tremendous when she knew so well what any pledge of her own would be? If Mona was so formed that she could hold such vows light, that was Mona's peculiar business. To have loved Owen apparently, and yet to have loved him only so much, only to the extent of a few tables and chairs, was not a thing she could so much as try to grasp. Of a different way of loving him she was herself ready to give an instance, an instance of which the beauty indeed would not be generally known. It would not perhaps if revealed be generally understood, inasmuch as the effect of the particular pressure she proposed to exercise would be, should success attend it, to keep him tied to an affection that had died a sudden and violent death. Even in the ardor of her meditation Fleda remained in sight of the truth that it would be an odd result of her magnanimity to prevent her friend's shaking off a woman he disliked. If he didn't dislike Mona, what was the matter with him? And if he did, Fleda asked, what was the matter with her own silly self? Fleda's surprise at this aberration left her a moment looking at him. "Do you mean your marriage is off?"!

Mrs. Gereth, holding her mantle together, appeared for a while to consider. "No, nor love me," said Owen. "Of course, you know, she says she loves me."

He had laughed at his way of putting it, but Fleda remained grave. "Is that what you came to say to her?" Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?" "You've come down to it, miss, already?"